Revistes Catalanes amb Accés Obert (RACO)

Movement and the "creative gap" in musical performance

Janet Sturman


Actors have long been encouraged to take control of the gap between what is defined in their script and what is left to the imagination. The experimental theatrical director Eugenio Barba refers to this space as an opportunity for dialogue between the performer and the audience and he regularly emphasizes that this dialogue may be effectively engaged not by spoken delivery of the pre-determined script, but rather by the physical movements of the actor.

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