The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behaviour

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Sandra Alvaro Sanchez

The web and concretely social networks are in fast decay. Hitherto considered the place for the flourishing of a new public sphere, space open and decentralised that allowed a massive access to the publishing media, empowering under­dogs and favouring a diverse public discourse. Nowadays, in the epoch of the algorithmic hypermediatization, the web is shifting towards the space of algorithmic bias, and of an amplified and more efficacious politic propaganda, - fos­tered by the resources of micro-targeting and automatic diffusion, as well as, a space polarized by filter bubbles, where extremism resonates. This decay of the public sphere is becoming a threat to democracy that some authors desig­nate as new brutalism. This article exposes the context of this degradation and analyses the role that technological communication mediations play on it, as well as, the diffe­rent solutions proposed y the actors involved in this system from the point of view of posthumanism.

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How to Cite
Alvaro Sanchez, Sandra. “The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behaviour”. Hipertext.net, 2018, no. 17, pp. 74-82, doi:10.31009/hipertext.net.2018.i17.07.
Author Biography

Sandra Alvaro Sanchez

Es doctora europea en filosofía por la Uni­versidad Autónoma de Barcelona. En el desarrollo de su investigación ha sido investigadora-becaria en el Instituto para las Matemáticas Puras y Aplicadas (IPAM) de la Univer­sidad de UCLA, investigadora/artista invitada en el laboratorio Paragraphe/CITU de la Universidad París-8, y ha ejercido como docente en el Estudio Roy Ascott de arte y tecnología del DeTao Masters Academy de Shanghái. Ha publicado en revistas cien­tíficas como el Technoetics Art Journal (Intellect) y Artnodes y ha participado en númerosos congresos y simposios inter­nacionales, entre otros, el “Arts Incognita. Poetics of Artificial creativity” (Cordoba, 2018), Open Fields Festival (Riga, 2017), CAC (París, 2016), ISEA (Vancouver, 2015), Re-new (Copenha­gue, 2013) y el CR13 International Research Conference in the series of Consciousness Reframed: Art and Consciousness in the post-biological era (El Cairo, 2013). También es escritora independiente y productora cultural. www.sandraalvaro.net