Revistes Catalanes amb Accés Obert (RACO)
Articles
| Waterfronts and Public art: a problem of language | |
| Antoni Remesar | 3-26 |
| The new waterfront: segregated space or urban integration? Levels of urban integration and factors of integration in some operations of renewal of harbour areas | |
| João Pedro Costa | 27-64 |
| Preservation as Art: Japanese Waterfront s | |
| Richard W. Berman | 65-70 |
| Sydney harbourings, rehabilitations and the politics of procurement | |
| Catherine de Lorenzo | 71-78 |
| Rio de Janeiro's Waterfront: Urbanism and social representation of reality | |
| Nara Iwata | 79-86 |
| The Waterfront Image and Urban Culture. The waterfront as the City's Facade. Barcelona case | |
| Nadia Fava | 87-92 |
| Participatory processes in the Barcelona's waterfront development | |
| Antoni Remesar, Xavi Salas, Sergi Valera | 93-108 |
| Coastal Band. Pilot case in the Bay of Panama | |
| Tatiana Sousa, Geronimo Espitia | 109-111 |
| Lisbon images and 4 metaphisical dissertations on waterfront urban design: vision, move, ethics, and interdisciplinarity. | |
| Pedro Brandão | 113-131 |
| Shaping Cities: Culture as Development Work | |
| Malcolm Miles | 133-141 |
| ‘Places between’: three tactics in critical spatial arts. | |
| Jane Rendell | 143-144 |
| A City from three points of view | |
| Ron Kenley | 145-152 |
| Public Art Policy and Planning: the Australian way | |
| Richard Brecknock | 153-161 |
| Public Art and its relation to urbanplanning challenges : The french experience | |
| Pierre Gaconnet | 163-170 |
| The Public and The Private in Public Art. Some case studies of recent and current projects in Cardiff Bay | |
| Wiard Sterk | 171-176 |
| The Body of the Beached Whale | |
| John Gingell | 177-184 |
| The Millennium Square Leeds: Civic Space, Public Arts and Social Facilitation | |
| Doug Sandle | 185-207 |
| Art crossing Hiroshima Project 2001, spring as an urban development strategy | |
| Yasuyo Kudo | 209-216 |
| River life: a meandering intervention | |
| David Haley | 217-226 |
| For public art: An interdisciplinary link | |
| John E. Kenny | 233-241 |
| Nature as Protest: A Tree in the Machine | |
| Nicola Kirkham | 243-251 |
| Reflections on the metropolitan identity of urban redevelopment in the outskirts of Madrid | |
| Blanca Fernández | 253-257 |
| PACA’s Speculative Proposals - an alternative approach to Public Art | |
| Sian Everitt | 259-265 |
| Reuse of a container crane | |
| Pedro Ressano García | 267-269 |
| Loitering Parisian Journey | |
| Stefania Kenley | 270-275 |