Revistes Catalanes amb Accés Obert (RACO)

Dionisio o Penteo? Il lavoro sullo spettatore nel Teatro de Lemming

Massimo Munaro

Resum


This study deals through the perspective of Teatro del Lemmings singular
work on the spectator with the original meaning of the theatrical viewing.
On one side, the spectators eye, as we usually consider it, remind us about
Pentheus voyeuristic view, which imply detachment and distance. On the
contrary, Dionysus eye demands a reciprocity and a communion of the experience
not by chance, Dionysus, for the ancient Greeks, was the God of
theatre. Today, we need to go back to that participatory look, in order to renew
the actuality of theatre.

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