Articles
| GRAPHIC IMAGES: FROM IMPLICIT MEANING TO INFERRED SENSE | |
| Jordi Pericot |
| AN INTRODUCTION TO THE VIDEO GAME THEORY | |
| Mark J.P. Wolf |
| MEDIATE: STRATEGIES FOR INTERACTIVE COMMUNICATION IN A MULTISENSORY ENVIROMENT FOR CHILDREN WITH PROFOUND AUTISM. | |
| N. Parés, P. Freixa, J.I. Ribas, A. Carreras, J. Durany , J. Ferrer, O. Kruglanski, R. Parés |
| EMBRACING EXISTENCE: TERRITORIES OF “REALITY” AND TERRITORIES OF “FICTION” IN CINEMATIC CREATION | |
| Matilde Obradors |
| ON HUMAN PRESENCE INSIDE THE REPRESENTATION SPACE OF THE PAINT BRUSH | |
| Aurora Corominas |
| THE NAKED AND THE DEAD: THE REPRESENTATION OF THE DEAD AND THE CONSTRUCTION OF THE OTHER IN CONTEMPORARY CINEMA: THE CASE OF M. NIGHT SHYAMALAN | |
| Iván Pintor Iranzo |
| THE TRAIL(S) OF THE WEST: THE ITINERARY OF THE TRAGIC HERO THROUGH SHANE | |
| Fran Benavente |
| OBJECT / SUBJECT: THE FILMS OF ERIC ROHMER | |
| Glòria Salvadó Corretger |
| AN OVERVIEW OF THE MAIN CONTENTS AND VALUES LINKED WITH THE NOTION OF TELEVISION QUALITY:THE SPECIFIC CASE OF “DIVERSITY”. | |
| Eva Pujadas Capdevila |
| EMPIRICAL RESEARCH APPLIED TO THE PRODUCTION OF FICTION FOR TELEVISION: A PROPOSAL FOR EXPERIMENTAL METHODOLOGIES | |
| Montserrat Martí Saldes |
| RESEARCH INTO TV SERIALS – PAST AND PRESENT | |
| Lorena Gómez Puertas |
Revistes Catalanes amb Accés Obert (RACO)