Revistes Catalanes amb Accés Obert (RACO)
Articles
| Nocturnal portrait of the femme fatale | |
| Núria Bou |
| Arousing curiosity in Them! | |
| Xavier Pérez |
| The film-maker’s ethic in the face of the inevidence of the times | |
| Àngel Quintana |
| Masculin/Feminin. Notes on the modern actor’s body | |
| Domènec Font |
| The Legacy of Franco’s Television | |
| Josep M. (Josep Maria) Baget Herms |
| The evolution of persuasive election discourse on television | |
| Jordi Pericot, Arantxa Capdevila |
| The theatricalisation of the private domain and the hybridisation of television genres. The case of Big Brother | |
| Mònica Terribas, Carmina Puig |
| European-wide Television and the Construction of European Identity. The Case of Euronews | |
| Andreu Casero |
| Wounds and Cures. Photography, Artistic Expression, and the Documentary Eye | |
| Mercè Ibarz |
| The Artist’s Gesture. An initial approach to the cinematic representation of Vincent van Gogh’s pictorial practice | |
| Aurora Corominas |
| Our ability to look rebels. An introduction to a phenomenology of interfaces | |
| Josep Maria Català Domènech |
| About the Imaginary | |
| Ivan Pintor Iranzo |
| Web and cinema. A comparative analysis of two data bases for on-line research | |
| Lluís Codina, Maria del Valle Palma |
| In praise of fiction Speeches at the opening of the academic year 2000-2001, audiovisual communication studies | |
| Josep M. Benet i Jornet, Pere Gimferrer, Manuel Vázquez Montalbán |
| Re-imagining Sociology | |
| Fran Benavente |
| Vindication of Jacques Rivette | |
| Gonzalo de Lucas de Lucas |
| Asian Alchemy | |
| Ivan Pintor Iranzo |
| Porthos’ hesitation | |
| Gonzalo de Lucas |
| The avatars of Aphrodite | |
| Ivan Pintor Iranzo |
| Facing the Experience of the Limit | |
| Fran Benavente |