Revistes Catalanes amb Accés Obert (RACO)
Articles
| Shakespeare on film: a bibliography | |
| José Ramón Díaz Fernández | 7-47 |
| The Walker-Spielberg tandem and lesbianism in the color purple: "[Spielberg] Don't like it dirty" | |
| María Frías | 49-56 |
| Amantes furtivos, furtivos amantes: versiones y adaptaciones de las novelas de John Steinbeck | |
| José Antonio Gurpegui | 57-70 |
| On the page/ on the screen: two ways of reading Joyce | |
| Vickie Olsen | 99-108 |
| El narrador a the big sleep: la novel·la i la pel·licula | |
| José L. Rodríguez | 109-118 |
| Representing Ireland: literary adaptation and irish cinema | |
| Sean Ryder | 119-130 |
| Is 'who wears the pants' an empty question? Comedy and marriage in Adam's Rib | |
| Anita La Cruz | 133-142 |
| Some like it hot: the blurring of gender limits in a film of the fifties | |
| María Jesús Martínez | 143-152 |
| Louis Lumière's la partie d'écarté (1896) | |
| William D. Routt | 153-162 |
| Divorce in contemporary hollywood romantic comedy: gender issues are taken to court | |
| Manuela Ruiz Pardo | 163-168 |
| Tierra, tecnología, polifonía y antepasados | |
| Robert Bringhurst | 171-175 |
| Theorizing post-communism: the polish case | |
| Malgorzata Grzegorzewska | 177-182 |
| Joyce and Pinter: exiles and betrayal | |
| Ronald Knowles | 183-191 |
| Les murray's poetic trajectory over Australia's changing landscapes | |
| Anurag Sharma | 193-203 |
| "Some people would envy your certainty": on the 'desire for verification' in Pinter | |
| Marc Silverstein | 205-215 |
| Waiting for the new writer: an interview with Malcolm Bradbury | |
| José Francisco Fernández Sánchez | 219-226 |