Articles
| Introduction | |
| Marysa Demoor, Jane Moore | 3-8 |
| Infanticidal mothers and dead babies: women's voices on political economy and population | |
| Josephine McDonagh | 11-20 |
| The backblash within: 'conservative' women's polemics from the blue stockings on | |
| Catherine Sandbach-Dahlström | 21-31 |
| Where no woman fears to tread: the gossip column in the athenaeum | |
| Marysa Demoor | 33-42 |
| Women against fascism: Nancy Cunard and Charlotte Haldane | |
| Jacqueline A. Hurtley, Elizabeth Russell | 43-52 |
| 'The new woman'. The bostonians and the gender of modernity | |
| Sally Ledger | 55-62 |
| From the Amazon to the flâneuse - Women at the turn of the century | |
| Ana Gabriela Macedo | 63-71 |
| Nightwood: the exiled gender | |
| Inmaculada Cobos Fernández | 73-82 |
| The significance of 'closed frontier' in Bobbie Ann Mason's in country | |
| Yonka Krasteva | 83-93 |
| Roamance and the feminine: gender and genre in the novels of Rosamond Lehmann | |
| Judy Simons | 97-103 |
| 'Those curious, sloping letters': reading the writing of du Maurier's Rebbecca | |
| Avril Horner, Sue Zlosnik | 105-115 |
| Olivia from Bloomsbury to the NRF | |
| Marie-Claire Hamard | 117-123 |
| 'Feeding the lake': bitter drops that matter - The short fiction of Jean Rhys | |
| Luisa Maria Rodrigues Flora | 125-132 |
| Gender crisis in the novels of Marylin French | |
| Stephanie Genty | 135-146 |
| The warring voices of the mother: Maxine Hong Kingston's tale of the mother-daughter story | |
| Ángeles de la Concha | 149-159 |
| Audre Lorde's Zami and black women's autobiography: tradition and innovation | |
| María Pilar Sánchez Calle | 161-169 |
| Women's voices: the late drafts of James Joyce and Malcom Lowry | |
| Sue Vice | 171-181 |
| Exploring gender roles in the 1960s: Ann Jellicoe's the knack (1961) and Harold Pinter's the homecoming (1965) | |
| Mireia Aragay i Sastre | 183-193 |
| Index | |
| 195-200 |
Revistes Catalanes amb Accés Obert (RACO)